Guest Author Destiny Henn, an undergraduate student pursuing a degree in Music Therapy, has spent the last few months researching the viability of the Jamstik as a device used to benefit the field and people involved. Here she shares the story of her journey in the field, and the beginnings of her experiences with the Jamstik.
The Jamstik is perfect for practicing while on the road. The fact that it has real guitar stings makes it ideal for working on technique exercises or warm-ups. The best part is that when it comes time to board the plane or bus, I can just shove it in my carry-on bag along with my other travel items and be on my way.
Sampling isn't about "hijacking nostalgia wholesale," says Mark Ronson. It's about inserting yourself into the narrative of a song while also pushing that story forward.
Today we have a guest post from a music educator that has been using the jamstik in his classroom, through the music education organization, "Little Kids Rock" He comes to us from across the country in New York City.
We’re thrilled to announce that Jamstik has just been named as an honoree for the 2015 CES Innovation Awards under the “Tech for a Better World” category. We share the honor with several other great companies who have developed excellent products.
Needless to say, we’re absolutely thrilled and sincerely appreciative to be honored by CES.
I tripped into this piece today in such accidental fashion that I can’t tell you how it happened, but I’m glad it did. It’s entitled, “Learning Guitar as An Adult, the 5 Obstacles You’ll Face (And How to Beat Them" by Josh Frets. The whole piece is pretty good, but the first point really resonated with me.
One of our product specialists, Jarod Hadaway, has been a music production teacher at a local music tech school for the past few years. He had a chance to bring the Jamstik into class on a few occasions and document the experience showing the kids the portable MIDI guitar.
I stumbled onto this article entitled “The Technical Constraints That Made Abbey Road So Good” written by Justin Lancy of The Atlantic thanks to a friend sharing it on Facebook. Said friend is a busy, well-known audio engineer in NashVegas, so I tend to inspect his posts and mentions with a careful eye.
The acronym MIDI stands for “Musical Instrument Digital Interface.” In the simplest explanation, MIDI is a language (technically speaking, it’s a protocol) that allows digitally-controlled musical instrument devices to communicate to each other. MIDI has been around since the early 1980’s. It was primarily used with synthesizers and sequencers, but quickly got implemented on all kinds of musically-related gear (drum machines, mixers, drum pads, synchronization boxes, etc.)
As much as the jamstik has changed how people learn how to play guitar or record their ideas in GarageBand or other recording apps, it’s also a great controller for live performances. As someone who has spent years in guitar-based live bands with no keyboard players, trust me when I say it’s hard to cover three hours of familiar material for an audience in one night without running into a tune that needs a signature keyboard part.
Recently, I re-created Charli XCX’s song “Boom Clap” using only a MIDI guitar controller (jamstik). We set out to do as much as we could with the jamstik exclusively in GarageBand and the iPhone 6. The iPhone 6 really works well for this, so it’s not really a challenge to work only in the iPhone as a “limitation.” Like we demonstrate in our “GarageBand Loop Recording” video, you can record your ideas without stopping the music if you make your instrument track selections in advance.